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Familiar Diversions

I'm a librarian who loves anime, manga, and reading a wide variety of genres.

Currently reading

Lying in Wait
Liz Nugent
Progress: 98/310 pages
The Shape of Water
Guillermo del Toro, Daniel Kraus
Progress: 72/313 pages
To Siri with Love: A Mother, Her Autistic Son, and the Kindness of Machines
Judith Newman
Princess Prince
Tomoko Taniguchi
Progress: 310/336 pages
Other Minds: The Octopus, the Sea, and the Deep Origins of Consciousness
Peter Godfrey-Smith
Progress: 41/255 pages
FREE: Locke & Key
Tatiana Maslany, Audible Studios, Joe Hill, Gabriel Rodríguez, Kate Mulgrew, Haley Joel Osment, Full Cast
Progress: 91/806 minutes

The Lost Planet by Rachel Searles

The Lost Planet - Rachel Searles

While I was cataloging this for my library, I became intrigued by the girl on the lower right corner of the cover. Reviews told me that her name was Mina, and that she was an android who'd basically raised Parker, the boy on the lower left. That sounded pretty cool, and the cover practically screamed “fast-paced action,” so I decided to give it a shot. Unfortunately, it didn't work as well for me as I'd hoped. Mina and Parker's relationship was entirely the wrong reason to read this, since they didn't actually have much of one.

Parker finds and rescues an unconscious, wounded boy outside his home. That boy turns out to be Chase, the book's primary protagonist. Chase can't remember his own identity (they got his name from a chip in his head), how he got there, or why he was wounded. He doesn't even know basic things that just about anyone should know, or why he said “Guide the star” when Parker first found him.

Chase desperately wants to find out more about himself, but Mina, Parker's android bodyguard, seems determined to keep him locked up. Parker breaks Chase out, but, to Chase's frustration, he only does it so the two of them can do some shopping and sight-seeing. Things quickly go very, very wrong, and the two boys find themselves on the run and in grave danger. The only safe place left may be with Asa, Parker's guardian, but first they need to find Mina and avoid slavers and Fleet soldiers.

I like fast-paced fiction, but dang this book was busy. I wanted everything to stop for just a few minutes, so I could get my bearings. Instead, I got one action scene after another. I hated that the book was so closely focused on Chase's experiences and knowledge, because he knew nothing and didn't get any more of a chance to sit and find stuff out than I did. I found myself wishing that Parker and Mina had been the book's main characters, even though Parker was kind of a jerk and too inclined to take risks.

Chase was too far in the other direction – if he couldn't see how an action would directly relate to finding out more about his past, he preferred not to do it. For example, Parker and Chase would never have even left the planet if Chase had had a say in the matter, because Chase couldn't see how anything off-planet might have had something to do with him ending up unconscious outside Parker's home. He actually demanded to go back to Parker's place, where the only option would have been to basically remain a prisoner. I wanted to shout at him to stop sulking and take whatever information-gathering opportunities he could get.

While the action scenes did the job, as far as keeping all the characters on the move and doing something, I never felt like I had an emotional connection to any of the characters. I probably felt the most for Parker and Mina, but that was primarily because I'd started reading the book for them. And anyway, in the end even they turned out to be incredibly disappointing. Mina had essentially raised Parker, and yet, despite this, they demonstrated no real attachment to each other. Sure, Mina rushed to save Parker every time she was physically able to, but Parker wasn't lying when he said she only protected him because of her programming. What struck me is that Parker didn't seem all that hurt by this. He and Mina might as well have been two strangers who formed a temporary alliance, rather than the boy and his bodyguard/surrogate mother (or older sister) that I'd hoped for.

So much about this book was just “meh.” There were technological terms and aliens all over the place, but it all felt like a bunch of sci-fi hand-waving. The meaning of “Guide the star” was an absolute groaner, and I don't understand how Lilli could have done what she did while unconscious and heavily sedated.

The ending left a lot unresolved. The next book in the series is supposed to come out at the end of this month. I haven't yet decided if I want to read it. On the one hand, I'm afraid that it'll just be more breakneck nothing. On the other hand, now that Chase has finally learned a little more, maybe another book starring him wouldn't be quite so bad. Plus, there's still a chance that I might get some of the human-android familial relationship I'd been hoping for. (Or maybe I'm just a sucker. ::sigh::)


(Original review, with read-alikes and watch-alikes, posted on A Library Girl's Familiar Diversions.)