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Familiar Diversions

I'm a librarian who loves anime, manga, and reading a wide variety of genres.

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The Disappearance of Hatsune Miku (book) story by Muya Agami and cosMo@BousouP, art by Yuunagi

The Disappearance of Hatsune Miku - Yunagi, cosMo@BousouP, Muya Agami

You have no idea how excited I was to learn that 1) a Vocaloid light novel existed and 2) it was available in English. I ordered a copy for myself a few weeks after finding out about it.

A few years ago I was really into Vocaloid (singing synthesizer software). I wasn’t interested in using it myself, just in listening to other people’s songs and reading about the various Vocaloid and UTAUloid avatars. I gradually found a few Vocaloid/UTAUloid tuners I particularly liked (kyaami is my top favorite) and developed a few Vocaloid/UTAUloid preferences (Kaito was probably my first favorite Vocaloid, and Ritsu continues to be my favorite UTAUloid).

I went into this book with an okay background knowledge of Vocaloid in general and Hatsune Miku in particular. Also, I was familiar with the song the book was based on (here's one version on YouTube), enough to know that the book probably wouldn’t have a happy ending.

The Disappearance of Hatsune Miku stars Shinosato Asano, an ordinary university student who spends his days going to class and doing tedious work at a robotics lab and his nights working as a bartender at a nightclub. He’s shocked when the professor in charge of his research lab singles him out to do a field test of a very special new android named Hatsune Miku. The professor wants a student like Asano, who’s responsible, can keep a secret, and doesn’t know too much about artificial intelligence, to see how well Miku can pass for human out in the real world. He’s not supposed to tell anyone, not even his family members, what Miku really is, and he has to make sure Miku goes back to the professor for regular data collection and weekly maintenance.

Miku’s speech and behavior is a little odd and stilted at first, but it rapidly improves. Asano introduces her to everyone as his very intelligent cousin from England (in order to explain why a 16-year-old girl whose Japanese is still a bit rough is suddenly attending university classes), takes her on a tour of the university, and invites her out to lunch. Lunch becomes their regular activity together, and Asano gradually incorporates activities relating to music once he realizes that Miku particularly enjoys it. He starts to realize, to his dismay, that he might be falling for her. What will happen once the field test is over?

I really wanted to love this. I’m generally drawn to android-human romances, and I was already looking forward to the Vocaloid aspects. Miku has never been my top favorite Vocaloid, but she had a lot of cute moments in the book, and I really felt for her. The way the author used Vocaloid-related details in the story was absolutely wonderful. The realization that Asano’s over-the-top love of green onions was a reference to the way Miku is often depicted holding green onions was nice, but there was one revelation further on in the book that I thought was particularly clever and unexpected.

That said, the romance was utterly terrible. It wasn’t so much Asano’s blandness - as much as I disliked how boring he was, it wasn’t unexpected. I did find myself wishing that Asano had more ideas about what to do with Miku than constantly taking her out to eat. I mean, right from the start he was told that she couldn’t eat much, and yet almost all of their outings involved food. It didn’t have to be anything special or expensive - they could have gone for a walk in a park, or gone out grocery shopping, or watched a movie. Pretty much anything they might have done would have been a new experience for Miku and would have provided the professor with more data.

I had two main problems with the romance. First, the way Miku based so many of the things she liked on things that Asano liked. For example, I don’t think she was able to taste food, and yet she’d tell Asano that a particular food tasted good because he liked it and therefore it must taste good. Asano just accepted these statements and was happy about them, but they bothered me - it was one of the reasons why I liked Miku’s budding love of music, because it seemed more purely hers than anything else she’d said she liked.

Second, it gradually became clear that Asano wasn’t so much a nice guy as he was a “nice” guy. His reactions and feelings were more important than hers. Later on in the book, for example, there were strong indications that something was wrong with Miku, to the point that it affected her physically. Rather than noticing this and worrying about her, Asano instead focused on how he felt when he held her and her statement that she wanted the two of them to be together forever. When something drastic either happened to Miku or was done to her, all Asano could think about was how much it hurt him that Miku no longer behaved as warmly towards him as she used to. His first instinct was to abandon the field test rather than investigate what had happened to her and why.

It did eventually dawn on the idiot that he was being a selfish jerk, but it took much, much longer than it should have. I was left feeling like Miku would have been better off leaving Asano in her dust and going on to become a massively popular superstar. Considering what was done to her during the course of the story, maybe leaving all of humanity behind wouldn’t have been a bad idea.

Asano continued to be useless as the sci-fi suspense storyline became more prominent, and pretty much the only reason he was able to get anywhere was because his two friends, Aika and Juuhachi, weren’t as utterly useless as he was. The various sci-fi developments near the end of the book were pretty bonkers, and the big climactic scene was way too over-the-top and ended up feeling silly rather than dramatic or tragically romantic. Although the Vocaloid fan in me did love the bit with the mysterious file.

One last thing: although the writing/translation wasn't terrible, it wasn't great either. I noticed that the author tended to be a bit repetitive. A character would do or say something and then Asano would tell readers what that character had done or said, even though the text had just described it. Once I started noticing this, I realized it happened a lot.

If you’re a huge Vocaloid fan, this might be worth giving a shot. Like I said, the way Vocaloid details were incorporated was wonderful. Everyone else would probably be better off trying something like CLAMP's Chobits or maybe even William Gibson’s Idoru (not romance, and I don’t recall the AI having much of a speaking role, but Rei Toei is practically another incarnation of Hatsune Miku).

 

(Original review posted on A Library Girl's Familiar Diversions.)